Advanced Characterization<\/strong> (Michael Stackpole)<\/p>\nAll plot comes out of the characters – their needs, goals and interactions<\/p>\n
“Your job as a writer is to torture and confuse your readers by torturing and confusing characters.”<\/p>\n
7 Traits of Enduring Characters<\/strong>:<\/p>\n\n- They are always something of a mystery – it is a seduction of the reader by the writer<\/li>\n
- They are worthy of redemption – something makes you think they’re capable of change<\/li>\n
- They score high on one end of the loyalty-treachery scale<\/li>\n
- They are internally consistent and reliable, but capable of generating surprise<\/li>\n
- They consistently score high (or low) on self-sacrifice scale<\/li>\n
- There is a love story attached to them somewhere<\/li>\n
- They are able to succeed at tasks we cannot do<\/li>\n<\/ol>\n
Techniques<\/strong>:<\/p>\n\n- Character growth vs change<\/em> – in episodic TV, the characters grow but don’t change (they end up in the same place as they started)<\/li>\n
- Change is temporary\u00a0<\/em>– characters\u00a0do what they have to do to get the job done<\/li>\n
- Growth is permanent<\/em> – an internal process as a result of external pressures where character makes a\u00a0conscious<\/em> decision to alter their behavior – that decision is key – the reader must<\/em> know they have undergone growth<\/li>\n
- Negative growth is a refusal to change – this is really tough to write – it results in the dissolution of character, and is brutal on reader and writer both<\/li>\n
- Reversal<\/em> – the character believes that a particular fact is true, but learns the opposite – they have\u00a0to deal with brand new stuff they never thought existed before – the \u00a0reader will also be shocked – this can be little personal reversals or hidden motivations – look for things you can make not true<\/em><\/li>\n
- A great technique is betrayal<\/em> – this creates an injustice, and readers inherently want to see it made right – the easiest are emotional betrayals – you can also have “reader betrayal” such as a love story that doesn’t quite sync up – also, betrayals that are mistakes – whichever sort you use, “emotional churning is absolutely what you want.”<\/li>\n<\/ul>\n
“All fiction is the past erupting into the present.” ~James Sallis<\/p>\n
Questions:<\/p>\n